Gabriel Moses’s journey reads like a masterclass in self-made artistry. Growing up in South London, Moses was drawn to the world of visuals and storytelling early on, but without formal training, he turned to the digital age’s greatest teacher: YouTube. Countless hours dissecting advertising campaigns and photography tutorials sharpened his eye. By 18, his relentless dedication paid off when he landed a directing gig for Nike. Four years later, at just 22, he became the youngest photographer ever to shoot a cover for Dazed magazine, a landmark moment that put him on the global creative map.

Since then, Moses has curated an impressive portfolio, working with fashion giants Louis Vuitton, Dior, and Burberry, and capturing portraits of cultural icons like Skepta and Alek Wek. His 2024 monograph, Regina, published by Prestel, was a heartfelt tribute to the women who shaped him from his grandmother, mother, and sister — each of whom introduced him to art and fashion and instilled in him a deep respect for heritage and memory. This year, he added a unique accolade to his name by designing the 2025 BRIT Awards trophy, blending artistry with cultural symbolism.

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Right now, Moses’s creative vision is fully on display at Selah, his largest exhibition to date, held at 180 Studios in London. Spanning two floors, the show features over 70 photographs and 10 films, including high-profile music videos like Travis Scott and Playboi Carti’s FE!N and Schoolboy Q’s Lost Times. His portraits of emerging stars like Jude Bellingham, Slawn, and of course Skepta and Alek Wek, reveal his ability to capture raw emotion with a rich, moody color palette. The centerpiece of the exhibition is his new short film, The Last Hour, shot in Atlanta, which is a quietly powerful narrative that explores themes of death, regret, and redemption.

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Moses’s style is unmistakable: minimal context, striking composition, and a soulful depth that reflects his Nigerian-British roots. His work is steeped in cultural signifiers, personal memory, and a celebration of Black identity, making his art feel both intimate and universally resonant. The photographs and films are a homage to his heritage and the women who inspire him, creating a visual language that is as emotionally layered as it is striking.

In tandem with Selah, Moses has released Chains & Whips, a music video and short film for Clipse featuring Kendrick Lamar that unfolds like a visual poem. The video distorts reality with stretched perspectives and close-ups that dissolve bodies into their surroundings, embodying the fractured and resilient spirit of Black American identity. The abstract imagery challenges viewers while delivering a kinetic energy that perfectly complements the track’s themes.

At just 26, Gabriel Moses is a creative force who defies categorization. His work spans fashion, music, film, and cultural commentary, always pushing boundaries and commanding attention.

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Selah is open at 180 Studios until August 31, and Chains & Whips is streaming now. Both are not just exhibitions or videos but declarations of identity, mastery, and vision that mark Moses as one of the defining artists of his generation.

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